In movies how can vampires be killed

Could have done with some flames, but Langella does a great descent into animalistic death-throes up there in the rigging. It was ostensibly for children, but this clip actually contains some half-decent burning effects a damn sight better than the CGI flames in Mirrors , for example and is topped off nicely with a fall over the side of the building.

Get the best of Den of Geek delivered right to your inbox! But the best ways to get rid of a vampire can be as simple as exposing it to a ray of sunlight, or just waiting it out until it starves. With a few easy tricks, you can free yourself of the dark shadow lurking in your life.

Although it may be primitive, a wooden stake to the heart is one of the most effective ways to kill a vampire. The origins of this legend are unclear; it might be tied to Vlad the Impaler, who earned his gruesome nickname from his practice of impaling his enemies on wooden spikes.

Wherever the notion of staking a vamp came from, all the stories agree: you must hit the vampire's heart to kill it. Some cultures take the story even further, suggesting that certain types of wood, like oak and hawthorn, are better suited to vampire slaying than others. But you can likely whittle down any chunk of furniture to use as a weapon against the undead in a pinch. Sunlight is arguably the slowest and most painful way to kill a vampire, as their skin literally begins to melt.

Some vampire aficionados argue that sunlight doesn't figure into the oldest vampire lore. It might have become associated with vampires thanks to films like Nosferatu , in which the titular baddie vanishes in the light of day. Garlic might be the most famous vampire repellant.

The fragrant bulb can be used in a variety of ways: you can wear it, hang it in your windows, or rub in on your front door to keep the undead at bay. Some cultures believed that garlic could protect corpses from vampires after death, too. Corpses were sometimes buried with their orifices filled with garlic to prevent possession. Beyond vampires, garlic was a traditional remedy for many illnesses, from animal bites to the bubonic plague.

The vampire-werewolf rivalry is as old as time, though its origins are unclear. Maybe the two mythical creatures feel they have to fight it out to prove their superiority? Despite their mutual hatred, these two ancient enemies have a lot in common. Both prefer night, both have extended life spans, and both feed on humans to survive.

This is an interesting twist on the idea of a protective magic spell: In this case it's not a witch or wizard casting a spell, but instead an oblivious layperson whose words break an existing spell by inviting the wrong person into the home. Finding a vampire is not always easy: according to one Romanian legend you'll need a seven-year-old boy and a white horse.

The boy should be dressed in white, placed upon the horse, and the pair set loose in a graveyard at midday. Watch the horse wander around, and whichever grave is nearest the horse when it finally stops is obviously a vampire's grave. So how is a potential vampire slayer to know what you're dealing with, whether to bring a handful of salt, a mirror, or a pure-hearted seven-year-old-boy? There's really no way to know, since most villains won't spell out for you exactly what their limitations and weaknesses are.

Your best bet is trial and error. They are the dullest, tamest, and hell, lamest incarnation of vampires to hit screens Individually, the Twilight films are the five highest-grossing vampire films of all time. We have no idea how much more it made from merchandise, home video sales, etc.

But here's the thing: that massive fortune had no trickle-down effect with the genre it claimed to represent. Daybreakers in , Let Me In in , Fright Night in , Dark Shadows and Abraham Lincoln: Vampire Hunter in all disappointed, and in what appears to have been the final nail in the coffin, last year's Dracula Untold and Vampire Academy tanked domestically, at least, Dracula Untold did pretty well in the international market.

This worked as a doubly damning factor on the vampire film. Vampire fans and Twilight fans aren't one in the same. Just because the feverish Twilight audience bombarded the theaters doesn't mean the general audience was hungry for vampires, and indeed, because Twilight became so ubiquitous and dominant in the cultural conversation of vampire fiction, audiences began to shy away from the genre all together.

Here's the crazy thing: November 16th will mark three years since the final installment in the franchise, Breaking Dawn — Part 2 , hit theaters in one last fortune-making frenzy for the hormone-driven franchise that devoured all public interest in the vampire genre.

And at only three years old, Twilight already feels like a cultural relic. Aside from the diehards, who even thinks about Twilight anymore? When was the last time it was relevant to anything? In one of the most blatant cash grabs and feeble attempts at relevance, Meyer released a gender-swapped version of the Twilight earlier this year There was some head-scratching and raised eyebrows on the day of release, it trended on twitter for a few, but that was it.

Nobody gave it a second glance. Nobody cared. Even the fans of the original didn't like it. Twilight has gone from mega franchise to passe problem in three short years, but the cultural ban on vampires is in full effect.

So does that mean vampires are gone for good? Hell no.